Fig. 1: The blue pieces look even worse here since the mat underneath them is dark green. |
Solving with physical pieces is a whole 'nother ball game to just solving the way I used to (or used to attempt to, I only ever got one complete solution that way.) For most of the solving process the hardest part by far is just finding the individual pieces you're after. Especially near the start when there are like 300 or more almost identical pieces to sift through.
Once I got to the last 10% of the construction the benefits of physical pieces really started to shine. The repeated backtracking that is just infeasible with drawing the pieces is now a lot more manageable. Which is just as well, because I must have spent close to two hours trying to get the last twenty or so pieces in. There were several times where I had 368 pieces down but the remaining hole was one cell out from the shape of the piece in my hand. That's the worst bit, those near-misses, but at least I suppose they mean I'm on the right track. If there was something terrifying like parity issues going on it would have at least alerted me.
Fig. 2: Getting there... |
Fig. 3: Another side-effect of the colour scheme is that it photographs really badly. Especially when it's me holding the camera. |
Fig. 4: The finished rectangle. |
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* Side note: Is there any information anywhere about how he constructed this (and his other solutions)? I always assumed he did them with a set of pieces but it's just as likely he did them using just pen and paper. Especially the nonomino patterns, making and using the full set of 1296 pieces would be a tad unwieldy.
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